Doctor Who & Science Fiction

Recently I read a blog post about science fiction and how it's not very popular among women. one of Professor Somin's assertions caught my eye:

Casual empiricism suggests that most people with a strong interest in science fiction or fantasy literature developed that interest very as children or teenagers. I think it's very difficult to persuade an adult to take an interest in these genres if they never had previously.

Empirics aside, it must be noted that adults are not immutable in their interests. I have always avoided science fiction by and large. What little science fiction and fantasy I read comes dangerously close to being what I will call "literary fiction" -- fiction about books, history, etc. (but not historical fiction). Jasper Fforde novels are the prime example here. A couple Terry Pratchett novels are as deep I wade into science fiction. I've also always disdained of science fiction television. I pretty much can't stand any of the Star Treks, although I do like the original in small doses for its kitsch value.
So it surprises me greatly to tell you that my new TV obsession is the revived series of Doctor Who. I've thought about it quite a bit in the past couple weeks, as I've been devouring the first three seasons and part of the fourth, and I think I know why:

In the end, science fiction isn't really a description of the type of storytelling you're going to get. It's like "westerns" -- all you know is the location of the plot, not anything about it. The problem in the genre occurs when an author thinks that said location matters more than the rest of the story. When westerns are just cowboy and Indian shoot-em-ups, when science fiction devolves into monotone repetition of fanciful pseudo-science, then the genre is in real trouble. But if you dig beneath the surface, the new Doctor Who is really just an action comedy that happens to have made-up places and people. Star Trek is just a soap opera with the same (I know I'm going to get killed for saying that, but there it is -- all the episodes I've seen are so *serious*!). I like Doctor Who because though it caters to the obsessive sci-fi geeks who live for finding patterns hidden in the episodes, many of the story lines are basically just ghost stories littered with strange jokes. The quirky humor is everywhere: take even the fact that the doctor's space ship isn't some cool, sleek, "boys' toy" but rather a blue police box because the spaceship's cloaking device got stuck. There's plenty of sci-fi standbys like teleporting, but in the end the science doesn't matter as much as the plots and stories: the only two repeating "gadgets" are a blank piece of "psychic" paper and a "sonic" screwdriver.
And the use of historical plots as well as outer space plots makes the thing more like that "literary" fiction I like -- I geeked out a little bit when they visited Shakespeare and the Doctor quoted Dylan Thomas to the Bard but then told him he couldn't use it because it was "someone else's." My other favorite episode from that season (3) takes place in 1913.

So, maybe if we're all concerned about making science fiction attractive to girls as well as boys, maybe writers should take a hint from Doctor Who, which reaches about a broad an audience of British children as it can possible get. Or maybe that's just a commentary about British television and the forced ubiquity of the BBC.

Priceless

Another mini-review:

I came to this movie to watch Audrey Tatou, who I enjoyed so much in Amelie, and to relive Breakfast at Tiffany's, a brilliant and beautiful movie of which this is a loose adaptation. In the end, though, Ms. Tatou suffers from a script and direction that to some extent reduced her to a mannequin for all the expensive labels draped over her body. The best scenes are closeups of her, where she is actually allowed to act and remind of us her gamine quality rather than being forced to strut about in a manner very much like the women in Sex and the City. However, this movie still has wit and charm, and the minor characters are all perfect caricatures (especially the dog owners at the beginning of the movie). Most importantly, I absolutely fell in love with Gad Elmaleh, whose fumbling and awkwardness is subtle enough to reveal both charm and intelligence. I've read (but not yet seen) that he is even better in the Valet, but this was plenty good for me.

Spartacus: mini-review

OK, I've got lots of work still to do this weekend, but something's better than nothing, right? Here's my review from Netflix:

Spartacus is NOT your typical Kubrick in terms of lasting takeaway message -- the nihilism and despair that linger in Clockwork Orange, 2001, and Dr. Strangelove just don't exist here. It is, however, typical Kubrick insofar as it is masterful. There is not an actor in this film that I did not admire more after watching Spartacus -- they all give amazing performances, which is pretty easy, I suppose, if you have such amazing material. This would be worth a spot in your queue just to watch the famous "I am Spartacus!" scene, but it's really oh so much more. It's got layers and layers here, with certain parts of the characters' lives (I'm thinking especially Tony Curtis here) obfuscated because of the Censor Board. But that only makes it better -- you have to actually be thinking and caring about these characters to understand why they do what they do. And it's well worth the effort.

Sorry for the inconvenience

I know I've been away forever -- sorry! I've been having computer problems, and of course there were finals and vacation and starting a summer job in there, too. In any case, I've been making my way through some movies in the past few weeks, and I hope to add some new reviews soon. To give an idea of some reviews in the hopper, I'm having to take the summer to rewatch some AFI movies. As many of you know, after college I made it a point to watch every movie on the AFI 100 Years . . . 100 Movies list, which was made in 1998. Well, in 2007, the American Film Institute decided to update that list, knocking off 23 films and replacing them with 23 other films. 1/5 of the movies were incorrectly put on the list??? And only 4 films from 1997 to 2006 were added, so we're talking some serious revisions. Anyway, I'm watching those movies added to the list that I haven't already seen (and thanking my lucky stars for film class in college, without which I wouldn't have seen some of the harder-to-find films).