Pushing Daisies (as promised)

OK, I promised an explanation of why I love Pushing Daisies. Now that the series is cancelled (only three more episodes to go!), it seems sad to write about it, but since I've been spending the last few days trying to convince my sister how amazing the show is, here I go:

The main premise of Pushing Daisies is a bit confusing, and I'm sure it was its demise. Ned is a pie maker who can raise the dead with his touch -- this includes people, animals, and plants. If he touches it again, though, it dies. Plus, if he raises something from the dead for more than one minute, something else of equal "value" dies (e.g., a person for a person, or a plant for a plant). The words make it sound hokey and stupid, but the result is much more magical.

The first magical thing is that Ned's girlfriend is someone he raised from the dead. This means he can never touch her. My sister hates this, but I think it's amazing. First of all, it's very old fashioned. I'm reminded of the censorship days of movies and television, when love stories had to be chaste even if sexually charged -- Ned and Charlotte (aka Chuck) even sleep in separate twin beds with a nightstand in between like all the sitcom couples of old.

Also, I'm pretty sure all romance is about not getting what you want. If you never get it, it's a tragedy. If you get delayed gratification, it's a comedy. Pushing Daisies pushes this definition and creates a tragicomedic relationship. Boy gets girl in once sense, but in another he doesn't (and never will).

The second magical thing is that death becomes malleable. One of my main gripes with modernity is we care so much about death -- we're so afraid of it. Maybe this is just my youth talking, but I'm not sure why we are so scared. Shows with death tend to try to drive this home, making death as sad and overwhelming and ugly as our society perceives it to be (see, e.g., House, every cop show ever, every mob show, even Six Feet Under). Pushing Daisies doesn't make light of death, but it isn't afraid of it, either. People die horrible deaths, but it's never gruesome. And since people can come back to life, but the story doesn't have time for them to go into shock or horror about being dead, it's nice to see characters who don't have a problem with being dead, either. (This reminds me of other Bryan Fuller shows, such as Dead Like Me, which was also brilliant).

The third magical thing is Kristin Chenoweth. She's just amazing -- a funny little spitfire who would be the grounding normal character of the series, if she weren't so quirky herself. In fact, all of the characters are quirky. It's a bit forced at times, but it's nice to know that people don't fit into neat categories -- the hardboiled detective also knits and makes pop-up books, and the shut-in aunts are former synchronized swimmers.

Finally, I love the production design of the show -- I absolutely love the costumes, which tend to be all over the place from 40s to 70s, but always are amazing. I love the visual jokes (Chenoweth's character is named Olive, and she recently got a rain slicker with olives on it, and Emerson Cod the detective's slicker had fish on it). And I love the myriad movie visual references, especially since they are so Hitchcock-heavy (The Birds, Vertigo, Psycho and Suspicion have all been copied. I'm really hoping for the key scene from Notorious before the end of the series, but that may be asking for too much).

Sure, there are faults with the show. The strange premise is often bent or broken -- some things come alive and others don't, but there's no real rhyme or reason to it (dead leaves but not wood? dead fruit but not other baking supplies?). There are a couple of camera and editing problems -- a visual joke involving a one-eyed aunt in the pilot episode was done backwards, and it drives me nuts every time I see it.

But its faults are easily forgotten when weighed against the fact that there's really nothing else like it. For people who like movies and old-fashioned TV more than reality TV or procedural dramas, this is a wonderful show. Plus, Lee Pace is hot.

The Windy City is mighty purty

OK, this isn't really movie or television related, but to me it is entertaining. I don't know what it is about Illinois, but I don't get angry at corruption there, just amused. I find the Daleys, Al Capone & the rest of the Chicago Outfit, "vote early vote often," and even Governor Blagojevich strangely loveable. Maybe it's because even in corruption, Chicago & Illinois are misfits (how bad do you have to be to be ostracized by the Five Families??). Maybe it's because I watch too many old gangster movies. Maybe it's because the corruption there is always so ridiculously outrageous (What makes a governor think he can get away with a "corruption crime spree?" And let's not even talk about Chicago city aldermen, or 3 others of the last 7 governors.) Or maybe it's just that I love Chicago so much that even its state can do no wrong. So even while on one level I'm very sad about Governor Blagojevich, and apalled by what he did, it doesn't make me love Illinois any less.

Wallace and Gromit Are Back

So very excited that the boys are back. Official site and less official video